Dropping Moments

The ball drops, hits a line and bounces
It makes a pretty sound and drops,
Hits a line and bounces,
Another ball drops, hits a line and bounces
It mak-mak- a pre-pre-tty-tty so-so-und and dro-dro-ps…

They overlay and intertwine, you reach and
Shape the path they take, control for a moment,
Control is illusion thereof as chaos ensues,
And the whole is mysteriously alive,
Hacking the sense with which you perceive

A single moment in life.

The one that is the artist that made this,
Puffs a heavy laced smoke that smacks
Of chemical hacks that drop, hit a line and bounce
Your sense of conscious space, a sound,
Distorted sense of where things are a ball drops…

The one that we speak to in awe, he looks,
On with stoned arrogance, of the person that,
Intuits formulaic graphic weaves as part of
Reality, not random fields but magical strings,
Like a physicist that only sees art.

Multiple parallel moments in life.

The one that reflects on the beauty of this system,
Many years later thinking that this was apex,
The most in interactive digital technology art,
And discovers its author transformed in tone,
Disappointed in the system that shaped his work.

This one senses, all is clear… the world 
Does not like new people, they are a threat
To its function, because they see folds
Between things that could fall apart,
And so it must protect itself…

New curious minds enquire.

They do not care much about what is rule,
And how things should or shouldn’t work,
They discover space again, anew, and
When the ball drops, hits a line and bounces
It makes a pretty sound and drops.

And makes a splash inside a mind,
A space is shaped where one was not before,
It leads to room to take control of the moment,
Even if illusion, one that is conscious,
Of universe and, of being alive.

And time is cycling, dropping and bouncing, pretty sounds...

By Yates for JTNimoy

JTNimoy passed away – I’d met once and maintained a bit of an email conversation over the years, to me one of the most influential digital creatives I have known.

The interactive art JTNimoy made is some of the best in my opinion, Ball Dropping still is such a perfect piece it should be part of educational curricula blending physics gravity puzzles with sound. And the suggestion that sound resonant frequency relates to the size of an object.

Earlier this year, knowing things were difficult I’d written a poem to try to convey appreciation for the work. She’d said it was good.

Singular Ivy

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Technological development builds,
on scaffolds of old brick and mortar,
on ideas and structures,
path dependent process,
mediated by organisms,
of different scale,
itself like an organism.
Ivy covering the house,
with new ecosystem niches,
new Gecko and lizard lives.
The messy coexistence,
but the pervasive advance,
means this change is both,
somehow fast and also slow.
Ultimately conveyed by inane issues,
that characterise human socialisation,
and language.
So for you, fearful,
of the new robots,
and the controls that seem to fade,
there is still a long path,
to cover your home and by then,
it's more like a carpet anyhow.

At a recent conference involving some (to me) rather scary technological developments, I was heartened to hear Michael Mainelli’s view of technology. That it builds on pre-existing messy human structures, and lives and dies based on how well it can transform. In this sense, it is limited by its own scalability – if its super-tech then it might not manage to transform because it is too different to be able to grow on what is there.

I may be over-interpreting his proposal, but his main point is that new technologies do not fully displace previous ones but rather integrate. And new technologies are only completely “here” once they have become part of every piece of society, to eventually disappear, into infrastructure.